⭐ World Wrestling Events special bonus offer: https://worldwrestlingevents.com
In this episode of World Wrestling Events, the hosts dive headfirst into the chaos of WrestleMania season and unpack one of the most volatile weeks on the wrestling calendar. With the road to WrestleMania heating up, they explore how every promo, match announcement, and backstage decision gets magnified under the spotlight, setting the stage for a wide-ranging conversation that blends fan passion with smart wrestling analysis. The episode opens with the show’s signature energy, a sponsor mention for WorldWrestlingEvents.com and BetOnline, and a quick reminder to keep gambling fun and recreational before moving into the main discussion.
A major focus of the episode is the business side of WWE, especially the Elimination Chamber cycle and why ticket sales may be softer than expected despite strong fan interest in the product. The hosts break down the “Jeff Jarrett theory” of market saturation, arguing that WWE may be overworking certain cities and creating wallet fatigue by returning too often with expensive live events. They also discuss the controversy around a reported blackout-style policy affecting local viewing access, and why that kind of strategy can backfire in the streaming era by frustrating fans who already pay for access. From there, the conversation shifts into WWE’s broader financial picture, including how Wall Street and the company’s stock performance during WrestleMania season can influence creative decisions, leading to safer booking and fewer risky creative swings at the top of the card.
The episode also delivers a strong character and in-ring psychology section. The hosts spotlight Dominic Mysterio, praising his commitment to staying in character (including a viral moment where he met a fan who looked exactly like him) and analyzing what it means for his persona to be carrying the AAA Megatitle as part of a more global wrestling identity. They also break down Liv Morgan’s emotional segment on Raw, discussing the blurred line between performance and real emotion, and why authentic vulnerability can make wrestling storytelling hit harder. Another standout topic is the much-hyped Io Sky vs. Julia match that was promoted and then pulled, which the hosts frame as a deliberate booking tactic to preserve a dream match and increase future demand. They also touch on Jacob Fatu and how real-life physical hardship, like his reported dental issues, adds to his aura as a true monster presence.
On the roster-development side, the hosts cover a packed slate of WWE and AEW stories, including Starboy Charlie’s WWE ID designation, the long-term value of the WWE ID pipeline, and the rebranding of Mike DiVecchio into “Dorian Van Dux,” with a fun but thoughtful discussion about WWE’s naming philosophy and intellectual property strategy. They also discuss a new trademark filing for Romeo Moreno, Timothy Thatcher’s reported role as Evolve GM and what that could mean for a grittier developmental brand identity, plus notes on Tiffany Stratton’s bodybuilding competition plans and the ongoing debate around Gable Steveson’s transition into MMA/UFC-style competition. The AEW portion centers on Swerve Strickland’s reported $100,000 fine and suspension, where the hosts analyze whether it feels like storyline business or legitimate discipline, and why publicizing a huge fine can function as a storytelling tool that raises the stakes of his character’s violence.
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World Wrestling Events, the podcast about everything
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pro wrestling and more. Welcome back to the show,
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everybody. It is Sunday, February 22nd, 2026.
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And we are sitting right in the eye of the storm
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right now. Oh, yeah. We are officially on the
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road to WrestleMania. The big sign is up. The
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pyro is louder. And, you know, the Internet is
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absolutely losing its collective mind. It’s a
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chaotic, beautiful… time to be a wrestling
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fan it really is the season of scrutiny isn’t
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it i mean the weeks between the royal rumble
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and wrestlemania that’s just the most volatile
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period of the entire calendar year everything
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is under a microscope exactly every promo gets
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dissected every single booking decision is magnified
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and the tension like both on screen and behind
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the scenes it is just at an all -time high right
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now it feels heavier this year though doesn’t
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it yeah like we have a mountain of news to climb
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today. We are talking about roster moves that
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make absolutely no sense until you really squint
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at them. We’ve got legal situations involving
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massive fines and some booking decisions that
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have the fan base split right down the middle.
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We definitely have a lot to unpack today. But
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before we get into the weeds of the business,
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we have to pay the bills. And we are very excited
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about who is helping us do that today. This show
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is sponsored by worldwrestlingevents .com and
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BetOnline. A very, very important partner for
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the NBA finals anymore. You can actually get
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in on the action for wrestling events now. Which
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is wild. It is. We just came off the rumble.
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We are looking ahead to the chamber in Mania.
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And BetOnline is the place to be if you want
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to add some stakes to the drama. Absolutely.
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should be fun and recreational. You know, know
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your limits. However, if you are ready to get
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in on the action, we do have a very specific
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worldwrestlingevents .com and get started. Big
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thank you to our partners. So where do we even
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begin today? Let’s look at the roadmap. We’re
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going to be dissecting the fallout from the Elimination
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Chamber cycle, specifically why the ticket sales
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are looking the way they are. Very interesting
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data there. Yeah. And then we have a major roster
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move involving a certain technical wizard taking
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on a general manager role. That is a fascinating
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development for the developmental system, for
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sure. We’ve also got Dominic Mysterio going global
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and meeting his doppelganger, which is just hilarious.
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Yeah. We need to break down some heavy disciplinary
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stuff happening over in AEW involving Swerve
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Strickland. And then we really need to talk about
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why WWE pulls massive matches from free TV at
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the very last second. The business of booking.
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It’s a highly complex machine. So let’s jump
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right into segment one, the business of booking.
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I want to start with the Elimination Chamber.
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Now, usually this event is a total layup. Oh,
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yeah, it sells itself. Right. Big steel structure,
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massive implications for mania, people getting
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thrown through plexiglass pods. But the discourse
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this week hasn’t really been about the match
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quality. It’s been about the seats. That’s right.
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We’re looking at the data regarding ticket sales
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for this elimination chamber cycle. And frankly,
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they haven’t met the internal projections. It’s
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softer than expected. Now, the easy reaction
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for the Internet to have is to say, oh, the product
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is cold. Which is lazy. Exactly. Because looking
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at the TV ratings, the product isn’t cold at
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all. Viewership is great. Yeah. So what is going
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on here? You flagged something in our notes today
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called the Jeff Jarrett theory. Right. So this
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is something that requires a bit of a history
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lesson for the listeners. This refers to Jeff
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Jarrett, the promoter, specifically looking back
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at the way his father, Jerry Jarrett, ran the
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old Memphis and Tennessee territories decades
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ago. Their whole philosophy was centered around
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this concept of market burnout. Is that just
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like a fancy economic way of saying people get
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sick of seeing you? In an economic sense, yes,
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basically. It’s the law of diminishing marginal
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utility applied to live wrestling events. The
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theory is that every specific market, let’s say
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a city like St. Louis or Chicago or Columbus,
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has a strict wallet capacity within a rolling
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12 -month period. Okay, so there is a literal
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ceiling to how much cash a city can cough up
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for wrestling tickets. Exactly. In the territory
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days, you could run a town every single week
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because tickets were cheap. You know, five bucks
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to get into the Mid -South Coliseum. But in 2026,
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attending a WWE event is a massive investment.
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We are talking hundreds of dollars for decent
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lower bowl seats, plus 40 bucks for parking,
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plus $40 t -shirts, plus food. It’s literally
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a mortgage payment for a family of four. Precisely.
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The Jeff Jarrett theory argues that if you oversaturate
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a market, you just hit a wall. If WWE runs a
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Monday Night Raw in a city. Right. And then they
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come back three months later for a Friday Night
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Smackdown. And then they send a non -televised
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house show tour through the surrounding suburbs.
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Right. And then after all that, they try to book
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a major premium live event like the Elimination
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Chamber in the exact same building within that
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same calendar year. The fans just tap out. They
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literally don’t have the funds. They have to.
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The wallet fatigue sets in. The average customer
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isn’t thinking, oh, but this is the chamber.
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This is a bigger tier event. Right. They don’t
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care about the tiers. No, the customer is thinking,
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I just spent $400 on this exact same brand three
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months ago. My kids saw Cody Rhodes already.
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We’re good. So this dip in sales isn’t necessarily
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a critique of the storylines or the creative
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direction at all. It’s more of a critique of
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these scheduling logistics. I strongly believe
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so. It suggests that the routing department might
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be overlapping way too aggressively with the
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touring department. You cannot drain the local
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market dry and expect to sell out every single
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time, no matter how hot the main event angle
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is. That makes total sense. Yeah. But here is
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the part that really grinds my gears as a fan.
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While we are talking about these ticket sales,
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we have to talk about this report regarding the
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blackout policy. Yeah, yes. This is a massive
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point of contention right now, and rightly so.
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For the listeners who might not know, explain
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what a blackout is in this context. Because honestly,
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it sounds like something from the NFL in 1995.
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It is very similar to the old NFL model. Historically,
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a blackout policy meant that if a local sports
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event did not sell a certain percentage of the
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tickets, usually it was around 85 percent, the
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local television broadcast would be completely
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blocked in that region. Which is wild to think
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about now. It is. The logic back then was that
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If people knew they couldn’t watch it on their
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local TV station, they would be forced to actually
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go buy a ticket and physically go to the stadium.
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Which feels incredibly punitive. It’s essentially
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like the promotion saying, because your neighbors
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didn’t buy enough tickets, you aren’t allowed
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to watch this thing you enjoy. It is archaic,
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but the report suggests a variation of this is
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affecting the Elimination Chamber viewing in
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the local market. And doing this in 2026, it
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just creates a massive friction point with the
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audience. Because the entire business model has
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changed. WWV isn’t a gate -driven company anymore,
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right? I mean, they are fundamentally a media
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rights company now. That is the crucial distinction
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you have to make. 30 years ago, the money at
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the door, the live gate, that was the lifeblood
00:07:44.889 –> 00:07:47.709
of the entire company. If they didn’t draw, the
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boys didn’t get paid. Today, the billions of
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dollars come from the streaming deals and the
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massive global TV rights. The gate revenue, while
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still important, is just the cherry on top. So
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why alienate the local fan base at all? Like
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if I’m in the city hosting the chamber and I
00:08:05.149 –> 00:08:07.550
just can’t afford a $400 ticket, but I really
00:08:07.550 –> 00:08:09.430
want to watch on the streaming service that I
00:08:09.430 –> 00:08:11.310
already pay a monthly fee for and I get blocked
00:08:11.310 –> 00:08:13.410
out, I’m canceling my subscription immediately.
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And that is the huge risk they run. It really
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highlights a disconnect right now between the
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live events department, whose sole job is to
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put physical bodies in seats, and the media department,
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whose job is to keep streaming subscribers happy
00:08:26.600 –> 00:08:29.259
and engaged. They’re fighting each other. Exactly.
00:08:29.600 –> 00:08:32.700
The CFO wants the gate revenue to look good on
00:08:32.700 –> 00:08:35.059
the quarterly report, but the long -term brand
00:08:35.059 –> 00:08:37.980
health absolutely relies on positive fan sentiment.
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Blocking the locals creates horrible badwill.
00:08:40.879 –> 00:08:42.879
It feels like stepping over dollars to pick up
00:08:42.879 –> 00:08:45.919
dimes, honestly. A very apt metaphor. Speaking
00:08:45.919 –> 00:08:47.399
of dollars, let’s look at the bigger picture
00:08:47.399 –> 00:08:49.779
for a second. We got to look at the WWE stock
00:08:49.779 –> 00:08:54.259
report for February 2026. How is Wall Street
00:08:54.259 –> 00:08:56.779
actually feeling about the road to WrestleMania
00:08:56.779 –> 00:08:59.139
this year? The sentiment over there is confident,
00:08:59.220 –> 00:09:01.519
but there is definitely an undercurrent of caution.
00:09:01.879 –> 00:09:04.919
The stock is holding steady right now. Wall Street
00:09:04.919 –> 00:09:08.840
loves the road to WrestleMania because. Historically,
00:09:08.879 –> 00:09:11.259
it is the highest revenue generating period of
00:09:11.259 –> 00:09:13.419
the year. Everyone buys the video game. Everyone
00:09:13.419 –> 00:09:16.659
buys the new event shirts. Exactly. The merchandise
00:09:16.659 –> 00:09:19.299
numbers go through the roof. But you have to
00:09:19.299 –> 00:09:21.460
remember, it is also the period of highest expense.
00:09:21.740 –> 00:09:24.559
Production costs for WrestleMania are astronomical.
00:09:25.000 –> 00:09:28.299
The sets, the pyro, the stadium rentals, marketing
00:09:28.299 –> 00:09:31.600
costs just skyrocket. So what does that actually
00:09:31.600 –> 00:09:33.919
mean for the product we see on television? Does
00:09:33.919 –> 00:09:36.120
the stock price genuinely change the booking?
00:09:36.519 –> 00:09:38.879
In subtler ways than most fans realize, yes,
00:09:39.019 –> 00:09:41.159
it absolutely does. When corporate confidence
00:09:41.159 –> 00:09:43.679
is high, but the financial stakes are this incredibly
00:09:43.679 –> 00:09:46.539
massive, you tend to see a strategy of risk management
00:09:46.539 –> 00:09:49.500
take over the creative team. Define risk management
00:09:49.500 –> 00:09:52.360
in wrestling terms for me. Safer booking. Ah.
00:09:52.600 –> 00:09:55.990
You protect your investments. You don’t take
00:09:55.990 –> 00:09:58.509
a wild creative swing on an unproven character
00:09:58.509 –> 00:10:01.090
in the main event of WrestleMania if the stock
00:10:01.090 –> 00:10:04.049
price heavily relies on a guaranteed stable engagement
00:10:04.049 –> 00:10:06.649
number. So we get the greatest hits album. We
00:10:06.649 –> 00:10:09.350
get the established stars. We get the rematches
00:10:09.350 –> 00:10:12.389
that have proven analytical data behind them.
00:10:12.470 –> 00:10:14.929
It’s not necessarily about creative laziness,
00:10:14.970 –> 00:10:16.629
which is what the fans usually complain about.
00:10:16.769 –> 00:10:19.450
It’s about fiduciary responsibility. Right. They
00:10:19.450 –> 00:10:21.389
have a legal obligation to the shareholders.
00:10:21.809 –> 00:10:24.570
Yes. They need to guarantee a certain floor of.
00:10:24.620 –> 00:10:26.960
viewership for their broadcast partners. You
00:10:26.960 –> 00:10:28.840
don’t experiment during the Super Bowl. That
00:10:28.840 –> 00:10:32.279
is, man, that is depressing, but completely logical.
00:10:32.460 –> 00:10:34.899
It really explains why we sometimes feel like
00:10:34.899 –> 00:10:37.720
we’re watching a rerun during mania season. They
00:10:37.720 –> 00:10:39.820
are just playing defense with the shareholders.
00:10:40.139 –> 00:10:42.940
Safe bets pay the dividends. It’s business. Well,
00:10:42.980 –> 00:10:44.799
let’s move away from the boardroom and get back
00:10:44.799 –> 00:10:48.700
into the ring. Segment two, in -ring psychology
00:10:48.700 –> 00:10:51.870
and character deep dives. Because while the suits
00:10:51.870 –> 00:10:54.389
are upstairs worrying about stock prices, we’ve
00:10:54.389 –> 00:10:56.330
got some incredible character work happening
00:10:56.330 –> 00:10:58.509
on the ground level. And I have to start with
00:10:58.509 –> 00:11:00.830
the man who I genuinely think is the MVP of the
00:11:00.830 –> 00:11:03.909
last six months, Dominic Mysterio. The evolution
00:11:03.909 –> 00:11:06.309
of Dominic Mysterio is arguably one of the greatest
00:11:06.309 –> 00:11:08.610
success stories of the modern developmental system.
00:11:08.809 –> 00:11:10.570
Did you see the video of him meeting his twin
00:11:10.570 –> 00:11:13.169
this week? I did. It is all over social media
00:11:13.169 –> 00:11:15.870
right now. For those who somehow missed it, Dominic
00:11:15.870 –> 00:11:18.500
is over on an international tour. He’s walking
00:11:18.500 –> 00:11:20.419
through what looks like an airport or maybe a
00:11:20.419 –> 00:11:23.419
hotel lobby, and he runs into a fan that looks
00:11:23.419 –> 00:11:26.620
exactly like him. It was uncanny. I mean, the
00:11:26.620 –> 00:11:29.500
mullet is perfectly styled. The scowl is perfect.
00:11:29.720 –> 00:11:32.879
The weird patchy facial hair is spot on. It’s
00:11:32.879 –> 00:11:35.700
a clone? Absolute clone. Now, here is where I
00:11:35.700 –> 00:11:39.059
really want your take on this. 99 % of wrestlers
00:11:39.059 –> 00:11:42.039
in that specific moment would break character.
00:11:42.570 –> 00:11:44.330
They would laugh, they would high -five the guy,
00:11:44.370 –> 00:11:46.389
they’d take a selfie, and they’d post it on their
00:11:46.389 –> 00:11:48.490
own Instagram saying something like, look at
00:11:48.490 –> 00:11:51.190
this legend. Right. They would prioritize the
00:11:51.190 –> 00:11:54.470
viral, feel -good human moment over the integrity
00:11:54.470 –> 00:11:57.029
of the character. But Dom doesn’t do that. Yeah.
00:11:57.129 –> 00:12:00.289
He looks at this guy with absolute disgust. He
00:12:00.289 –> 00:12:02.309
treats him like he’s an identity thief trying
00:12:02.309 –> 00:12:04.909
to steal his wallet. He stays completely in the
00:12:04.909 –> 00:12:07.590
zone. This is what we in the industry refer to
00:12:07.590 –> 00:12:10.580
as kayfabe 2 .0. Oh, I like that term. In the
00:12:10.580 –> 00:12:12.980
old days, kayfabe meant pretending the fighting
00:12:12.980 –> 00:12:16.080
was completely real, hiding your family, heels,
00:12:16.259 –> 00:12:19.159
and baby faces traveling in separate cars. Today,
00:12:19.419 –> 00:12:21.179
the audience already knows it’s a scripted show.
00:12:21.440 –> 00:12:24.460
So the new kayfabe is entirely about maintaining
00:12:24.460 –> 00:12:26.840
the emotional reality of the character across
00:12:26.840 –> 00:12:29.480
every single platform. So if he’s a jerk on Monday
00:12:29.480 –> 00:12:31.899
Night Raw, he has to be a jerk on his TikTok.
00:12:32.409 –> 00:12:34.889
Exactly. If Dominic Mysterio breaks character
00:12:34.889 –> 00:12:37.809
to laugh at a fan in an airport, he signals to
00:12:37.809 –> 00:12:39.889
the audience that Dominic is just a costume he
00:12:39.889 –> 00:12:43.190
wears for work. By staying in character, by treating
00:12:43.190 –> 00:12:46.230
this doppelganger with sheer arrogance, he reinforces
00:12:46.230 –> 00:12:48.789
the illusion. He invites the audience to just
00:12:48.789 –> 00:12:50.870
keep playing the game with him. It’s so much
00:12:50.870 –> 00:12:53.250
harder to do that than to just be a cool guy
00:12:53.250 –> 00:12:55.860
and take the picture. It requires immense discipline,
00:12:56.039 –> 00:12:58.500
honestly. It creates this meta reality where
00:12:58.500 –> 00:13:00.879
the fans actually respect him more because he
00:13:00.879 –> 00:13:03.820
refuses to wink at them and let them in on the
00:13:03.820 –> 00:13:06.940
joke. And that level of respect is directly translating
00:13:06.940 –> 00:13:09.179
to his booking right now. We have to talk about
00:13:09.179 –> 00:13:11.879
this AAA megatitle defense. This is a very significant
00:13:11.879 –> 00:13:14.360
development for his career. He is defending the
00:13:14.360 –> 00:13:17.960
AAA megatitle. And there is a stipulation attached
00:13:17.960 –> 00:13:20.320
regarding his mask or hair, depending on how
00:13:20.320 –> 00:13:22.389
the angle actually plays out. But just the mere
00:13:22.389 –> 00:13:24.850
fact that WWE is acknowledging the AAA title
00:13:24.850 –> 00:13:26.990
on their programming. It really speaks to the
00:13:26.990 –> 00:13:29.169
globalization of his character. Five or ten years
00:13:29.169 –> 00:13:32.529
ago, WWE lived entirely in a bubble. Nothing
00:13:32.529 –> 00:13:35.149
existed outside of their universe. If you wrestled
00:13:35.149 –> 00:13:37.929
a classic in Mexico or Japan, it basically didn’t
00:13:37.929 –> 00:13:41.070
happen to WWE canon. Right. But now, allowing
00:13:41.070 –> 00:13:43.409
Dominic to carry the AAA belt on television,
00:13:43.830 –> 00:13:47.009
acknowledging that specific lineage, it gives
00:13:47.009 –> 00:13:49.529
him a prestige that goes way beyond just being
00:13:49.529 –> 00:13:52.139
Rey Mysterio’s annoying son. It frames him as
00:13:52.139 –> 00:13:55.080
a legitimate world traveler, like a global champion.
00:13:55.200 –> 00:13:57.200
It makes him feel dangerous. You know, like he
00:13:57.200 –> 00:13:59.240
has conquered territories that the other WWE
00:13:59.240 –> 00:14:02.000
guys haven’t even touched. Exactly. And bringing
00:14:02.000 –> 00:14:04.679
that lucha libre apuesta psychology, the betting
00:14:04.679 –> 00:14:06.500
of something incredibly valuable like your hair,
00:14:06.580 –> 00:14:09.179
your mass, to a mainstream American television
00:14:09.179 –> 00:14:12.480
audience, that is high stakes drama. It’s distinct
00:14:12.480 –> 00:14:14.460
from everything else on the card. I absolutely
00:14:14.460 –> 00:14:16.080
love it. I think he’s doing the best work of
00:14:16.080 –> 00:14:19.500
his entire career right now. Let’s pivot from
00:14:19.500 –> 00:14:21.820
the comedy of Dom to something way more intense.
00:14:22.179 –> 00:14:25.179
Let’s talk about Liv Morgan. A very, very heavy
00:14:25.179 –> 00:14:28.100
segment on Raw this week. She broke down. Tears
00:14:28.100 –> 00:14:30.460
streaming, voice cracking, makeup running everywhere.
00:14:30.879 –> 00:14:32.919
And immediately, the internet debate started
00:14:32.919 –> 00:14:35.820
up. Is she okay? Is this real? Is this a shoot?
00:14:36.000 –> 00:14:38.700
And that ambiguity is exactly the goal of the
00:14:38.700 –> 00:14:41.139
performance. We have some reports now discussing
00:14:41.139 –> 00:14:44.379
the real reason she broke down out there. It
00:14:44.379 –> 00:14:47.860
seems to be a mix of legitimate physical exhaustion,
00:14:48.509 –> 00:14:51.870
pure passion for the business, and just the immense
00:14:51.870 –> 00:14:54.990
pressure of carrying this storyline. But as a
00:14:54.990 –> 00:14:57.330
viewer sitting on the couch, does it really matter
00:14:57.330 –> 00:14:59.909
if it’s real or scripted? That is the golden
00:14:59.909 –> 00:15:02.730
question of performance versus reality in professional
00:15:02.730 –> 00:15:05.929
wrestling. The most successful babyfaces, the
00:15:05.929 –> 00:15:07.789
ones who sell the most merchandise, the ones
00:15:07.789 –> 00:15:10.309
who move the needle on ticket sales, are almost
00:15:10.309 –> 00:15:12.570
always the ones who let their real -life vulnerability
00:15:12.570 –> 00:15:15.169
bleed directly into the script. It’s the difference
00:15:15.169 –> 00:15:18.090
between an actor acting sad and a person actually
00:15:18.090 –> 00:15:20.129
being heartbroken in front of you. Precisely.
00:15:20.169 –> 00:15:22.610
If Liv Morgan goes out there and just recites
00:15:22.610 –> 00:15:24.929
a memorized monologue about being sad, the audience
00:15:24.929 –> 00:15:27.250
tunes out. They check their phones. But if she
00:15:27.250 –> 00:15:30.090
taps into her real frustrations, her long journey
00:15:30.090 –> 00:15:32.490
to the top, the time she was overlooked by management,
00:15:32.870 –> 00:15:35.590
the physical pain she’s in, and lets that genuine
00:15:35.590 –> 00:15:38.350
emotion bubble up to the surface, that connects
00:15:38.350 –> 00:15:40.970
on a deeply visceral level. It really blurs the
00:15:40.970 –> 00:15:42.690
line. You stop watching a fictional character,
00:15:42.809 –> 00:15:44.629
and you just start rooting for the real person
00:15:44.629 –> 00:15:47.879
behind it. And that is exactly when the true
00:15:47.879 –> 00:15:50.519
emotional investment happens. You want to see
00:15:50.519 –> 00:15:53.000
her win the title because you feel like you watched
00:15:53.000 –> 00:15:55.440
her actually suffer for it. Now, it’s a very
00:15:55.440 –> 00:15:58.500
dangerous line to walk for the performer’s mental
00:15:58.500 –> 00:16:01.919
health to constantly mine your real trauma for
00:16:01.919 –> 00:16:04.960
entertainment. But it is incredibly effective
00:16:04.960 –> 00:16:07.340
storytelling. It’s powerful stuff. Now, speaking
00:16:07.340 –> 00:16:10.200
of emotional investment, I was very emotionally
00:16:10.200 –> 00:16:13.700
invested in seeing Io Skye face off against Julia
00:16:13.700 –> 00:16:16.480
on SmackDown this week. Oh, the match that wasn’t?
00:16:16.559 –> 00:16:18.840
Yes. They advertised it. They hyped it up all
00:16:18.840 –> 00:16:21.700
week. Two of the absolute best female wrestlers
00:16:21.700 –> 00:16:23.740
in the world going at it. And then you’re doing.
00:16:24.340 –> 00:16:27.059
Pulled from the card. Why do they do this to
00:16:27.059 –> 00:16:29.059
us? This is a classic case of booking preservation.
00:16:29.379 –> 00:16:31.360
It deeply frustrates the viewer in the moment,
00:16:31.419 –> 00:16:33.639
I know. But it is almost always the right business
00:16:33.639 –> 00:16:35.539
move in the long run. But I wanted to see it.
00:16:35.600 –> 00:16:37.659
I sat through two hours of television for it.
00:16:37.980 –> 00:16:40.279
Think about the actual environment of Friday
00:16:40.279 –> 00:16:42.799
Night Smackdown for a second. It’s a two -hour
00:16:42.799 –> 00:16:45.820
show on network television. You have commercial
00:16:45.820 –> 00:16:48.740
breaks every seven to ten minutes. You have very
00:16:48.740 –> 00:16:52.860
rigid timing cues. Do you really want the first
00:16:52.860 –> 00:16:55.960
ever WWE encounter between Io Sky and Julia,
00:16:56.139 –> 00:16:59.259
a legitimate global dream match, to be chopped
00:16:59.259 –> 00:17:02.019
up by insurance and pizza commercials? When you
00:17:02.019 –> 00:17:04.269
put it that way, no. I want it uninterrupted.
00:17:04.289 –> 00:17:07.089
Exactly. The reports indicate they pulled it
00:17:07.089 –> 00:17:10.190
to protect the matchup itself. Management realized
00:17:10.190 –> 00:17:13.130
that giving it away on free TV with limited time
00:17:13.130 –> 00:17:16.029
and constant interruptions would completely cheapen
00:17:16.029 –> 00:17:18.490
the impact. By snatching it away at the last
00:17:18.490 –> 00:17:20.670
second, they have actually increased the baseline
00:17:20.670 –> 00:17:23.230
anticipation for it. It’s the old absence makes
00:17:23.230 –> 00:17:25.829
the heart grow fonder strategy. It is. Now, when
00:17:25.829 –> 00:17:28.769
they finally do lock up, maybe at a premium live
00:17:28.769 –> 00:17:31.029
event where they can go a solid 20 minutes with
00:17:31.029 –> 00:17:32.930
zero commercial breaks, the audience is going
00:17:32.930 –> 00:17:34.910
to be even hungrier for it. They are banking
00:17:34.910 –> 00:17:37.369
on your current frustration turning into a future
00:17:37.369 –> 00:17:40.710
buy rate. OK, OK. I’m slightly less mad now.
00:17:40.769 –> 00:17:44.569
I’m still impatient, but I get the logic. One
00:17:44.569 –> 00:17:46.710
last note on physicality in this segment before
00:17:46.710 –> 00:17:49.950
we move on. Jacob Fatu. The Samoan werewolf.
00:17:50.250 –> 00:17:52.109
There was a report that dropped this week that
00:17:52.109 –> 00:17:55.970
honestly made my jaw hit the floor. Jacob Fatu
00:17:55.970 –> 00:17:59.630
had 11 teeth removed. 11 teeth. That is just
00:17:59.630 –> 00:18:02.690
a staggering number to comprehend. Why? How does
00:18:02.690 –> 00:18:04.309
that even happen? And what does this say about
00:18:04.309 –> 00:18:07.269
the guy? Well, the exact medical specifics are
00:18:07.269 –> 00:18:09.569
obviously private, but it’s likely a combination
00:18:09.569 –> 00:18:12.390
of severe impact damage over the years on the
00:18:12.390 –> 00:18:14.269
independent circuit and maybe some necessary
00:18:14.269 –> 00:18:17.049
dental reconstruction. But the what it says about
00:18:17.049 –> 00:18:19.630
him part is the absolute key to his aura right
00:18:19.630 –> 00:18:21.789
now. He sounds like a horror movie villain. He
00:18:21.789 –> 00:18:24.250
really does. And in wrestling, locker room lore
00:18:24.250 –> 00:18:26.690
is everything. When the boys in the back and
00:18:26.690 –> 00:18:29.269
the fans online hear that Jacob Fatu had 11 teeth
00:18:29.269 –> 00:18:31.349
pulled from his skull and is still walking around
00:18:31.349 –> 00:18:33.470
taking bumps, looking like an absolute monster,
00:18:33.650 –> 00:18:37.140
likely barely missing any ring time, it builds
00:18:37.140 –> 00:18:39.339
the monster persona better than any scripted
00:18:39.339 –> 00:18:42.460
promo ever could. It’s primal. It reinforces
00:18:42.460 –> 00:18:43.960
that he just isn’t built like the other guys
00:18:43.960 –> 00:18:46.799
on the roster. Exactly. It signals to the audience
00:18:46.799 –> 00:18:49.079
that he has a much higher pain threshold, that
00:18:49.079 –> 00:18:51.420
he is fundamentally built differently. Whether
00:18:51.420 –> 00:18:54.180
it is a strict medical necessity or not, it immediately
00:18:54.180 –> 00:18:56.599
becomes part of the legend. Did you hear Fatou
00:18:56.599 –> 00:18:59.079
ripped his own teeth out? The rumors do the heavy
00:18:59.079 –> 00:19:01.200
lifting for you. Yeah, I certainly wouldn’t want
00:19:01.200 –> 00:19:02.880
to be the dentist telling him he needs to floss
00:19:02.880 –> 00:19:05.700
more often. I don’t think anyone tells Jacob
00:19:05.700 –> 00:19:09.539
Fatu what to do ever. Absolutely not. OK, let’s
00:19:09.539 –> 00:19:11.660
shift gears a bit. We’ve looked at the main roster,
00:19:11.759 –> 00:19:13.799
but there is so much happening in the developmental
00:19:13.799 –> 00:19:17.279
system right now that we need to track. So segment
00:19:17.279 –> 00:19:21.319
three, roster moves, renamings and the future.
00:19:21.500 –> 00:19:23.140
This is my favorite area. This is where we see
00:19:23.140 –> 00:19:25.279
the chess pieces being moved for the next five
00:19:25.279 –> 00:19:27.640
years of the business. First up, let’s talk about
00:19:27.640 –> 00:19:31.000
the WWE ID program. We have a brand new signing
00:19:31.000 –> 00:19:34.099
to talk about. Starboy Charlie. A very, very
00:19:34.099 –> 00:19:36.380
exciting talent. For those listeners who don’t
00:19:36.380 –> 00:19:39.380
follow the hardcore indie scene closely, what
00:19:39.380 –> 00:19:42.940
is the significance of this kid? And what exactly
00:19:42.940 –> 00:19:47.000
is the WWE ID program? So Starboy Charlie is
00:19:47.000 –> 00:19:50.359
a young, hyper -athletic, very modern, independent
00:19:50.359 –> 00:19:52.599
wrestler. He’s had a great run in places like
00:19:52.599 –> 00:19:55.680
GCW, incredible speed, great technique. But the
00:19:55.680 –> 00:19:58.700
bigger story here is the actual mechanism of
00:19:58.700 –> 00:20:02.259
his signing. Being given a WWE ID is not the
00:20:02.259 –> 00:20:05.079
same thing as being signed to an NXT contract.
00:20:05.420 –> 00:20:07.500
Right. He’s not packing his bags and moving to
00:20:07.500 –> 00:20:10.740
Orlando immediately, is he? No, not at all. WWE
00:20:10.740 –> 00:20:13.920
ID is a pipeline system. It’s a formal designation.
00:20:13.980 –> 00:20:16.700
It allows top tier indie talent to officially
00:20:16.700 –> 00:20:20.000
get on the WWE radar, receive some medical support,
00:20:20.220 –> 00:20:22.240
maybe get some coaching access or facility use.
00:20:22.359 –> 00:20:24.380
But they continue to work their independent dates.
00:20:24.559 –> 00:20:25.940
This is kind of like being tagged or drafted
00:20:25.940 –> 00:20:28.480
by the scouts, but you stay in college. Exactly
00:20:28.480 –> 00:20:30.880
like that. It deeply benefits the wrestler because
00:20:30.880 –> 00:20:33.059
their booking fee on the indies immediately goes
00:20:33.059 –> 00:20:36.079
up. Promoters can now advertise a WWE ID talent
00:20:36.079 –> 00:20:38.970
on their flyers. And it benefits WWE because
00:20:38.970 –> 00:20:41.349
they lock in a relationship with a hot prospect
00:20:41.349 –> 00:20:43.769
without taking on the full financial cost of
00:20:43.769 –> 00:20:45.990
a main roster contract yet. It’s a developmental
00:20:45.990 –> 00:20:49.369
bridge. It’s a really smart system. But once
00:20:49.369 –> 00:20:51.650
you do cross that bridge and get fully integrated
00:20:51.650 –> 00:20:55.210
into the WWE system, things usually change. Specifically,
00:20:55.430 –> 00:20:58.569
your name. We have to talk about Mike DiVecchio.
00:20:58.690 –> 00:21:01.619
Oh, boy. A massive powerhouse from the European
00:21:01.619 –> 00:21:03.839
scene. He has an incredible look. He does. But
00:21:03.839 –> 00:21:06.279
he is now officially going by the name Dorian
00:21:06.279 –> 00:21:09.539
Van Dux. Dorian Van Dux. Look, I have to be completely
00:21:09.539 –> 00:21:12.539
honest with you here. It sounds like the main
00:21:12.539 –> 00:21:15.799
villain in a straight -to -DVD vampire movie
00:21:15.799 –> 00:21:19.200
from 2004. I’m Dorian Van Dux, and I have come
00:21:19.200 –> 00:21:21.839
to drink your blood. It certainly has a very
00:21:21.839 –> 00:21:24.740
theatrical, almost gothic quality to it. But
00:21:24.740 –> 00:21:27.859
this really highlights the overarching WWE philosophy
00:21:27.859 –> 00:21:30.420
regarding intellectual property. But why do they
00:21:30.420 –> 00:21:32.299
do this? Mike DiBecchio is a really cool name.
00:21:32.380 –> 00:21:33.859
It sounds like a tough guy from the neighborhood
00:21:33.859 –> 00:21:35.500
who’s going to break your legs. It does sound
00:21:35.500 –> 00:21:38.500
tough, but… WWE doesn’t own the name Mike DiVecchio.
00:21:38.640 –> 00:21:41.220
Mike owns that name. If he builds up his brand
00:21:41.220 –> 00:21:43.740
on NXT and then his contract expires and he leaves,
00:21:43.900 –> 00:21:46.599
he takes that brand equity with him over to AEW
00:21:46.599 –> 00:21:50.500
or New Japan. WWE owns Dorian Van Dux. It’s completely
00:21:50.500 –> 00:21:52.779
theirs. So if they’re going to put a million
00:21:52.779 –> 00:21:55.240
dollars of marketing and TV time behind him,
00:21:55.299 –> 00:21:58.380
they want to own the asset outright. It is purely
00:21:58.380 –> 00:22:01.299
a calculated business decision. If Dorian Van
00:22:01.299 –> 00:22:03.940
Dux becomes a WrestleMania main eventer, sells
00:22:03.940 –> 00:22:06.339
millions in action figures, and is featured in
00:22:06.339 –> 00:22:09.660
the 2K video games, WWE holds that trademark
00:22:09.660 –> 00:22:12.099
forever. They want a name that is completely
00:22:12.099 –> 00:22:14.539
unique and legally protectable. It’s going to
00:22:14.539 –> 00:22:16.380
take some getting used to. I’ll give him a fair
00:22:16.380 –> 00:22:19.200
chance in the ring, but man, Dorian Van Dux.
00:22:19.299 –> 00:22:22.619
Wow. Hey, we’ve seen stranger names become legendary.
00:22:22.740 –> 00:22:24.819
Remember when they named a guy Hunter Hearst
00:22:24.819 –> 00:22:28.059
Helmsley? True, true. Now, speaking of names,
00:22:28.220 –> 00:22:31.059
we also saw a new trademark filing this week
00:22:31.059 –> 00:22:34.220
for Romeo Moreno. Yes, we did. Any idea who this
00:22:34.220 –> 00:22:36.279
is? Speculation online is running absolutely
00:22:36.279 –> 00:22:38.940
wild. The surname Moreno obviously suggests a
00:22:38.940 –> 00:22:41.920
Latin heritage. And Romeo strongly implies a
00:22:41.920 –> 00:22:44.160
lover character, maybe a suave romantic heel
00:22:44.160 –> 00:22:46.259
type. I’m immediately picturing a rose in the
00:22:46.259 –> 00:22:48.730
mouth. Some salsa dancing on the entrance ramp.
00:22:48.869 –> 00:22:51.589
Yeah. All the classic tropes. It is a classic
00:22:51.589 –> 00:22:54.049
wrestling trope because, historically, it just
00:22:54.049 –> 00:22:57.210
works. It generates massive heat from male fans.
00:22:57.730 –> 00:23:00.250
Whether this is a sudden repackaging for someone
00:23:00.250 –> 00:23:03.410
currently floundering in NXT or a name for a
00:23:03.410 –> 00:23:05.430
brand new signing from Mexico, we just don’t
00:23:05.430 –> 00:23:07.869
know yet. But definitely keep an eye on how that
00:23:07.869 –> 00:23:11.029
name gets deployed. Will do. Now, this next piece
00:23:11.029 –> 00:23:12.950
of news is the one that really caught my attention.
00:23:13.470 –> 00:23:16.480
Timothy Thatcher. Cuesless Timmy. The man himself.
00:23:16.839 –> 00:23:19.140
The man literally looks like he was carved out
00:23:19.140 –> 00:23:21.859
of a block of granite. Reports are now saying
00:23:21.859 –> 00:23:24.160
he is scheduled to be the next general manager
00:23:24.160 –> 00:23:27.140
of Evolve. This is a brilliant, brilliant casting
00:23:27.140 –> 00:23:30.079
decision by management. First, clarify what Evolve
00:23:30.079 –> 00:23:33.579
actually is in the year 2026. Because older fans
00:23:33.579 –> 00:23:36.140
remember it as an indie promotion run by Gabe
00:23:36.140 –> 00:23:39.220
Sapolsky. Right. WWE purchased the Evolve brand
00:23:39.220 –> 00:23:42.259
in its tape library years ago. Now, in 2026,
00:23:42.400 –> 00:23:44.740
it functions as a very specific tier of their
00:23:44.740 –> 00:23:47.220
developmental system. Think of it as the bridge
00:23:47.220 –> 00:23:49.460
between the raw day one recruits at the Performance
00:23:49.460 –> 00:23:52.519
Center and the polished, highly produced TV product
00:23:52.519 –> 00:23:55.579
of NXT. It’s the finishing school for wrestlers.
00:23:55.720 –> 00:23:57.339
And having Timothy Satcher run that finishing
00:23:57.339 –> 00:23:59.920
school. It sets a very definitive tone for the
00:23:59.920 –> 00:24:03.150
brand. Thatcher’s style is heavily rooted in
00:24:03.150 –> 00:24:06.269
the catchpoint philosophy. It is incredibly serious,
00:24:06.509 –> 00:24:09.390
grounded, painful, submission -based wrestling.
00:24:09.849 –> 00:24:12.670
He is the absolute antithesis of the modern sports
00:24:12.670 –> 00:24:14.769
entertainer who does choreographed dances to
00:24:14.769 –> 00:24:16.809
the ring. He is not going to tolerate any nonsense
00:24:16.809 –> 00:24:19.789
from the younger guys. None at all. By installing
00:24:19.789 –> 00:24:23.210
him as the general manager, the strict uncompromising
00:24:23.210 –> 00:24:25.670
authority figure, you are actively telling the
00:24:25.670 –> 00:24:28.289
audience in the talent pool Evolve is about the
00:24:28.289 –> 00:24:30.549
pure wrestling. It gives the brand a gritty,
00:24:30.609 –> 00:24:33.849
realistic identity. I can clearly see a segment
00:24:33.849 –> 00:24:35.670
where he’s staring down two guys arguing backstage
00:24:35.670 –> 00:24:37.630
and he just whispers, get in the ring or get
00:24:37.630 –> 00:24:39.769
out of my building. It fits his aura perfectly.
00:24:40.009 –> 00:24:42.690
I really love that direction for Evolve. Just
00:24:42.690 –> 00:24:44.410
a couple other roster notes before we move on
00:24:44.410 –> 00:24:47.269
to the other side of the fence. Tiffany Stratton,
00:24:47.349 –> 00:24:49.890
she made an announcement about entering a legitimate
00:24:49.890 –> 00:24:52.390
bodybuilding competition. This is quite interesting.
00:24:52.470 –> 00:24:55.210
It really speaks to her crossover appeal. Tiffany
00:24:55.210 –> 00:24:58.430
is already an incredible athlete, a world -class
00:24:58.430 –> 00:25:01.630
gymnast before wrestling. But bodybuilding requires
00:25:01.630 –> 00:25:04.670
a level of dietary and physical discipline that
00:25:04.670 –> 00:25:07.150
is just insane, even for a professional wrestler.
00:25:07.450 –> 00:25:09.230
She looks like a million bucks every time she
00:25:09.230 –> 00:25:11.750
steps out there. She does. And for WWE, this
00:25:11.750 –> 00:25:14.769
is just fantastic PR. It puts their homegrown
00:25:14.769 –> 00:25:17.529
star in a totally different world, featured in
00:25:17.529 –> 00:25:19.950
different fitness magazines and websites. It
00:25:19.950 –> 00:25:22.380
showcases the… superstar aspect of the talent
00:25:22.380 –> 00:25:24.819
beyond just taking bumps. And then we look at
00:25:24.819 –> 00:25:27.740
the other side of the athletic coin. Gable Steveson.
00:25:27.759 –> 00:25:30.319
The Gable Steveson debate just continues to rage
00:25:30.319 –> 00:25:33.440
on. The question is, is he UFC ready? Because
00:25:33.440 –> 00:25:35.819
fans are really split on this. He had a recent
00:25:35.819 –> 00:25:37.720
performance, I think it was a grappling transition
00:25:37.720 –> 00:25:40.619
fight or a jiu -jitsu showcase, and the reviews
00:25:40.619 –> 00:25:43.359
online were very mixed. It is a harsh reminder
00:25:43.359 –> 00:25:46.539
that an elite athletic pedigree does not guarantee
00:25:46.539 –> 00:25:49.059
instant success in combat sports or pro wrestling.
00:25:49.720 –> 00:25:52.940
Gable has the Olympic gold medal. He has unbelievable
00:25:52.940 –> 00:25:56.319
raw power. But the transition from amateur wrestling
00:25:56.319 –> 00:25:58.579
to pro wrestling didn’t quite click the way they
00:25:58.579 –> 00:26:01.559
hoped. And the transition to MMA is a whole different
00:26:01.559 –> 00:26:04.480
beast involving striking defense and complex
00:26:04.480 –> 00:26:07.039
submission defense. He’s kind of stuck in this
00:26:07.039 –> 00:26:09.519
weird athletic limbo right now. He really is.
00:26:09.819 –> 00:26:12.140
The fans are highly critical because they see
00:26:12.140 –> 00:26:15.039
the Brock Lesnar level potential. But the actual
00:26:15.039 –> 00:26:17.680
application in the cage hasn’t matched the hype
00:26:17.680 –> 00:26:20.200
yet. He has to learn an entirely new game from
00:26:20.200 –> 00:26:22.319
scratch, and that takes years of getting punched
00:26:22.319 –> 00:26:24.839
in the face. It’s a tough road to walk. All right,
00:26:24.859 –> 00:26:26.819
let’s cross the aisle. Segment four. We need
00:26:26.819 –> 00:26:29.160
to talk about AEW and some big international
00:26:29.160 –> 00:26:32.160
news. And the biggest story coming out of Jacksonville
00:26:32.160 –> 00:26:35.779
involves Swerve Strickland. The mogul. He has
00:26:35.779 –> 00:26:39.039
officially been fined $100 ,000 and suspended
00:26:39.039 –> 00:26:41.640
by the company. That is a massive eye -catching
00:26:41.640 –> 00:26:44.599
number. $100 ,000. I mean, that’s a small house
00:26:44.599 –> 00:26:46.480
in some parts of the country. That’s a luxury
00:26:46.480 –> 00:26:49.549
sports car. It is. And naturally, the first question
00:26:49.549 –> 00:26:51.549
on everyone’s mind in the wrestling bubble is
00:26:51.549 –> 00:26:54.990
the classic. Is this a work or a shoot? So what
00:26:54.990 –> 00:26:57.750
is your read on this? Because that is a whole
00:26:57.750 –> 00:27:00.269
lot of real money to lose if it’s a legitimate
00:27:00.269 –> 00:27:03.490
shoot fine. When you see a number like $100 ,000
00:27:03.490 –> 00:27:06.049
specifically publicized in a press release or
00:27:06.049 –> 00:27:09.569
on television, my instinct leans very heavily
00:27:09.569 –> 00:27:12.690
toward it being a work, a storyline element.
00:27:13.099 –> 00:27:15.299
Why is that? Because in legitimate corporate
00:27:15.299 –> 00:27:18.200
governance, real disciplinary fines are almost
00:27:18.200 –> 00:27:21.059
always handled internally and quietly. They are
00:27:21.059 –> 00:27:24.160
often subject to HR policies, collective bargaining,
00:27:24.359 –> 00:27:27.099
if applicable, or legal caps. You very rarely
00:27:27.099 –> 00:27:29.099
see a major company issue a public statement
00:27:29.099 –> 00:27:32.259
saying we find John Doe exactly 100 grand unless
00:27:32.259 –> 00:27:34.160
they are actively trying to sell a narrative
00:27:34.160 –> 00:27:36.019
to the public. So the dollar amount is just a
00:27:36.019 –> 00:27:38.559
prop for the story. Exactly. By stating that
00:27:38.559 –> 00:27:40.940
specific massive amount, they are selling the
00:27:40.940 –> 00:27:42.720
extreme severity of his actions in the ring.
00:27:43.019 –> 00:27:45.339
They’re telling the audience at home Swerve is
00:27:45.339 –> 00:27:47.779
so dangerous, so violently out of control right
00:27:47.779 –> 00:27:50.140
now that he is literally costing himself a fortune
00:27:50.140 –> 00:27:53.279
just to hurt his enemies. It monetizes his aggression.
00:27:54.299 –> 00:27:56.740
It essentially tells me that his pure hatred
00:27:56.740 –> 00:28:00.220
for his opponent is worth more to him than financial
00:28:00.220 –> 00:28:02.500
security. That is a brilliant way to put it.
00:28:02.539 –> 00:28:05.039
It’s a cost -benefit analysis of kayfabe hatred.
00:28:05.380 –> 00:28:07.720
And logistically, behind the scenes, it serves
00:28:07.720 –> 00:28:10.480
a very practical purpose, too. The write -off.
00:28:10.599 –> 00:28:13.599
The write -off. Swerve has been going incredibly
00:28:13.599 –> 00:28:17.400
hard for over a year. His in -ring style is physically
00:28:17.400 –> 00:28:20.640
demanding. A storyline suspension allows him
00:28:20.640 –> 00:28:24.180
to go home, heal his battered body, maybe film
00:28:24.180 –> 00:28:26.880
an outside media project, and most crucially,
00:28:27.000 –> 00:28:29.519
let the fans actually miss seeing him on television.
00:28:29.799 –> 00:28:32.160
Because when he comes back, broke and angry.
00:28:32.259 –> 00:28:34.480
That is an instant main event angle waiting to
00:28:34.480 –> 00:28:37.160
happen. He returns with an absolute vengeance.
00:28:37.519 –> 00:28:41.299
I love the psychology of that. absolutely thrive
00:28:41.299 –> 00:28:45.339
on being hated mjf the aew world champion our
00:28:45.339 –> 00:28:47.160
favorite scumbag there was an incident at an
00:28:47.160 –> 00:28:49.359
indie match he was working recently the crowd
00:28:49.359 –> 00:28:51.700
started chanting well we can’t say it here but
00:28:51.700 –> 00:28:54.420
let’s call it the f ice chant a very derogatory
00:28:54.420 –> 00:28:57.519
personal chant involving a certain icy substance
00:28:57.519 –> 00:29:00.819
right a very hostile unscripted environment in
00:29:00.819 –> 00:29:03.339
mjf instead of getting flustered or legitimately
00:29:03.339 –> 00:29:06.599
angry he just seemed to feed on it This is Heel
00:29:06.599 –> 00:29:09.779
Psychology 101, but MJF basically has a PhD in
00:29:09.779 –> 00:29:12.319
it at this point. He is a master conductor of
00:29:12.319 –> 00:29:15.799
crowds. A conductor of hate. Yes. Think about
00:29:15.799 –> 00:29:19.220
it. Most wrestlers today, deep down, really want
00:29:19.220 –> 00:29:21.480
to be the cool heel. They want to do flashy moves
00:29:21.480 –> 00:29:23.420
and they want the fans to secretly love them
00:29:23.420 –> 00:29:26.359
and buy their black t -shirts. MJF genuinely
00:29:26.359 –> 00:29:29.339
wants you to despise him. When the crowd gets
00:29:29.339 –> 00:29:31.759
nasty, when they start chanting deeply personal
00:29:31.759 –> 00:29:33.759
things that would completely rattle a lesser
00:29:33.759 –> 00:29:36.750
performer, he smiles. because he knows he has
00:29:36.750 –> 00:29:38.730
them in the palm of his hand. He manipulates
00:29:38.730 –> 00:29:41.130
that raw negative energy. He does. He takes that
00:29:41.130 –> 00:29:43.269
heat, that genuine visceral dislike from the
00:29:43.269 –> 00:29:45.589
building, and he expertly transfers it to his
00:29:45.589 –> 00:29:48.470
opponent. If the crowd hates MJF that much, they
00:29:48.470 –> 00:29:51.029
will loudly cheer for absolutely anyone who steps
00:29:51.029 –> 00:29:53.329
up and punches him in the face. That is his core
00:29:53.329 –> 00:29:55.730
job description. He makes the baby face look
00:29:55.730 –> 00:29:58.130
like a conquering hero just by being the ultimate
00:29:58.130 –> 00:30:00.210
irredeemable villain. It’s brilliant to watch
00:30:00.210 –> 00:30:02.750
him work. Now, on a slightly more somber note
00:30:02.750 –> 00:30:05.029
regarding AEW, let’s talk about Britt Baker.
00:30:05.850 –> 00:30:08.549
There’s been a real update on her future in the
00:30:08.549 –> 00:30:11.750
ring. We all know she’s a dentist. A real -life
00:30:11.750 –> 00:30:14.509
practicing dentist with her own clinic. And the
00:30:14.509 –> 00:30:17.109
serious conversation now is about her wrestling
00:30:17.109 –> 00:30:19.690
future versus her long -term medical career.
00:30:20.210 –> 00:30:22.910
This situation really highlights the stark reality
00:30:22.910 –> 00:30:25.690
of part -time status in modern professional wrestling.
00:30:26.109 –> 00:30:28.509
Britt Baker carried that women’s division on
00:30:28.509 –> 00:30:31.890
her back for a long time. But dentistry is a
00:30:31.890 –> 00:30:34.549
highly demanding precision -based profession.
00:30:35.240 –> 00:30:37.440
You have patients in pain. You have strict appointments.
00:30:38.269 –> 00:30:40.289
You can’t just cancel on a patient needing a
00:30:40.289 –> 00:30:41.930
root canal because you suddenly have a booked
00:30:41.930 –> 00:30:44.349
match in Japan. And more importantly, you can’t
00:30:44.349 –> 00:30:46.589
be a functioning dentist if your hands are shaking
00:30:46.589 –> 00:30:48.210
because you took a bad bump on your neck the
00:30:48.210 –> 00:30:51.190
night before. Exactly. The sheer physical toll
00:30:51.190 –> 00:30:54.089
of wrestling, the cumulative neck issues, the
00:30:54.089 –> 00:30:57.289
back spasms, the concussion risks, directly threatens
00:30:57.289 –> 00:30:59.950
her longevity as a medical professional. I think
00:30:59.950 –> 00:31:01.650
we are currently seeing a natural transition
00:31:01.650 –> 00:31:04.009
where wrestling becomes the occasional special
00:31:04.009 –> 00:31:06.750
attraction for her, and the dental practice rightfully
00:31:06.750 –> 00:31:09.119
becomes the primary. focus. It’s a really smart
00:31:09.119 –> 00:31:12.359
life choice. Always have a backup plan or in
00:31:12.359 –> 00:31:15.579
her specific case, a very lucrative primary plan.
00:31:15.799 –> 00:31:17.380
Absolutely. It’s the healthiest approach you
00:31:17.380 –> 00:31:19.119
could take. OK, let’s move into segment five.
00:31:19.380 –> 00:31:22.680
We call this myths, misconceptions and history.
00:31:23.059 –> 00:31:24.779
We’re going to bust some persistent Internet
00:31:24.779 –> 00:31:26.599
narratives. Always my favorite part of the show.
00:31:26.720 –> 00:31:29.509
Let’s get into it. First, big myth. Retirements
00:31:29.509 –> 00:31:32.390
are sudden. We saw some news leak about the original
00:31:32.390 –> 00:31:35.269
long term plans for AJ Styles eventual retirement
00:31:35.269 –> 00:31:38.829
match. Right. And this leak reveals a massive
00:31:38.829 –> 00:31:42.029
misconception that casual fans hold. Fans often
00:31:42.029 –> 00:31:44.009
think a wrestler just wakes up one Tuesday morning,
00:31:44.269 –> 00:31:46.410
feels their knees aching and says, I’m done.
00:31:46.470 –> 00:31:49.319
I’m retiring today. Or they assume they get injured
00:31:49.319 –> 00:31:51.680
and are just forced to disappear instantly. But
00:31:51.680 –> 00:31:54.160
with a franchise guy like AJ. With a bona fide
00:31:54.160 –> 00:31:57.420
legend like AJ Styles, the sunset is meticulously
00:31:57.420 –> 00:31:59.880
planned out one to two years in advance. Years.
00:32:00.079 –> 00:32:03.380
Plural. Yes. You have to map the entire architecture
00:32:03.380 –> 00:32:07.180
of it out. Who ultimately gets the rub of retiring
00:32:07.180 –> 00:32:10.619
him? Does it elevate a young star or is it a
00:32:10.619 –> 00:32:13.079
respect match against another veteran? Is it
00:32:13.079 –> 00:32:15.359
going to be a year -long retirement tour? Is
00:32:15.359 –> 00:32:18.369
it a final dramatic match at WrestleMania? The
00:32:18.369 –> 00:32:20.769
merchandise team needs months to design and produce
00:32:20.769 –> 00:32:23.230
the commemorative shirts. The creative team needs
00:32:23.230 –> 00:32:25.849
to carefully build the story arc so it peaks
00:32:25.849 –> 00:32:28.549
at the right moment. So when we see a guy standing
00:32:28.549 –> 00:32:30.829
in the ring crying, giving a retirement speech,
00:32:31.049 –> 00:32:33.869
the rough draft of that speech was probably outlined
00:32:33.869 –> 00:32:36.730
18 months ago. The broad trajectory of the exit
00:32:36.730 –> 00:32:39.809
was yes. Unless a catastrophic career -ending
00:32:39.809 –> 00:32:42.890
injury forces their hand unexpectedly, the exit
00:32:42.890 –> 00:32:45.130
from the company is just as heavily scripted
00:32:45.130 –> 00:32:47.650
and produced as their debut entrance. It is a
00:32:47.650 –> 00:32:50.609
carefully curated monument to their entire career.
00:32:50.809 –> 00:32:52.849
That is fascinating to think about. Okay, myth
00:32:52.849 –> 00:32:55.049
number two. Cody Rhodes was always the hero.
00:32:55.230 –> 00:32:57.029
Oh, this is a big one, especially for the newer
00:32:57.029 –> 00:32:59.250
fans who just jumped on board. Yeah, if you started
00:32:59.250 –> 00:33:01.549
watching wrestling in the last three years, Cody
00:33:01.549 –> 00:33:04.309
is essentially Captain America. He kisses the
00:33:04.309 –> 00:33:06.970
babies in the front row. He gives away his weightlifting
00:33:06.970 –> 00:33:10.250
belt to a crying kid. He fights the evil bloodline.
00:33:10.410 –> 00:33:13.589
He is the embodiment of pure goodness. But you
00:33:13.589 –> 00:33:16.309
cannot fully understand the hero without understanding
00:33:16.309 –> 00:33:19.250
the villain he used to be. We have to talk about
00:33:19.250 –> 00:33:22.609
his star turn. He was a spectacular heel. He
00:33:22.609 –> 00:33:25.759
was a fantastic, deeply annoying heel. Think
00:33:25.759 –> 00:33:27.880
back to the dashing Cody Rhodes era, checking
00:33:27.880 –> 00:33:29.819
his face in the mirror, handing out grooming
00:33:29.819 –> 00:33:32.799
tips to ugly fans. Or his run as the corporate
00:33:32.799 –> 00:33:35.779
suit EVP in early AEW where the crowds turned
00:33:35.779 –> 00:33:38.099
on him. Why does all that past baggage matter
00:33:38.099 –> 00:33:41.500
for his current mega BB face run? Because the
00:33:41.500 –> 00:33:43.480
core lesson of wrestling psychology is that you
00:33:43.480 –> 00:33:45.599
have to learn to be a truly hated villain to
00:33:45.599 –> 00:33:47.759
fully understand how to get universally cheered.
00:33:48.250 –> 00:33:50.549
Cody knows exactly what specific buttons to push
00:33:50.549 –> 00:33:53.309
to make people boo him. Therefore, he knows exactly
00:33:53.309 –> 00:33:55.450
what behaviors to avoid to keep them cheering.
00:33:55.650 –> 00:33:57.990
He constructs his current babyface persona as
00:33:57.990 –> 00:34:00.750
the direct, calculated antidote to his old heel
00:34:00.750 –> 00:34:03.789
tendencies. So the smile is brighter now because
00:34:03.789 –> 00:34:06.490
he knows exactly how effective his scowl used
00:34:06.490 –> 00:34:09.250
to be. Poetically put, yes. You can’t effectively
00:34:09.250 –> 00:34:11.469
portray the light without intimately knowing
00:34:11.469 –> 00:34:14.690
the shadow. I really like that. Okay, last myth
00:34:14.690 –> 00:34:17.960
here. Production secrets. We need to talk about
00:34:17.960 –> 00:34:21.460
botches. The dreaded B word of the internet wrestling
00:34:21.460 –> 00:34:24.179
community. There was a report this week of a
00:34:24.179 –> 00:34:27.139
big botch on Friday Night Smackdown and subsequently
00:34:27.139 –> 00:34:30.300
some real backstage heat on the competitors involved
00:34:30.300 –> 00:34:33.179
when they got back to the curtain. First, for
00:34:33.179 –> 00:34:36.400
the uninitiated listeners, clearly define a botch
00:34:36.400 –> 00:34:40.079
and define heat. Simply put, a botch is a mistake
00:34:40.079 –> 00:34:43.179
during a match. A move timed wrong, a foot slipping
00:34:43.179 –> 00:34:45.500
on the ropes, a dropped catch, or a missed cue.
00:34:45.900 –> 00:34:48.519
Heat is the resulting backstage anger or resentment
00:34:48.519 –> 00:34:51.420
from your peers, the producers, or the management.
00:34:51.659 –> 00:34:53.940
So someone messed up a move on live TV and people
00:34:53.940 –> 00:34:55.940
in the back are mad, but everyone makes mistakes,
00:34:56.159 –> 00:34:58.559
right? It’s live TV. Right. But the nuance here,
00:34:58.619 –> 00:35:00.360
and this is what the fans online almost always
00:35:00.360 –> 00:35:02.679
miss when they complain, is that the heat from
00:35:02.679 –> 00:35:05.139
management isn’t usually about the physical mistake
00:35:05.139 –> 00:35:07.519
itself. It’s almost entirely about the recovery.
00:35:07.760 –> 00:35:10.380
How you fix it on the fly while millions are
00:35:10.380 –> 00:35:13.019
watching. Exactly. Pro wrestling is essentially
00:35:13.019 –> 00:35:15.460
live theater mixed with high speed gymnastics.
00:35:16.000 –> 00:35:19.579
Things go wrong every single night. A true veteran
00:35:19.579 –> 00:35:22.739
knows how to cover it up seamlessly. If you swing
00:35:22.739 –> 00:35:25.199
and completely miss a punch, you immediately
00:35:25.199 –> 00:35:27.840
step forward and grab a tight headlock. If you
00:35:27.840 –> 00:35:30.460
slip off the top rope, you hit the mat and instantly
00:35:30.460 –> 00:35:33.000
grab your knee, selling an injury. You protect
00:35:33.000 –> 00:35:36.460
the illusion at all costs. So the real heat comes
00:35:36.460 –> 00:35:38.900
down on the rookies when they panic. Yes, when
00:35:38.900 –> 00:35:41.420
they freeze like a deer in headlights, when they
00:35:41.420 –> 00:35:44.219
completely break character, stand up and look
00:35:44.219 –> 00:35:45.900
over at the referee with a face that says, what
00:35:45.900 –> 00:35:48.260
do I do next? That completely exposes the business.
00:35:48.320 –> 00:35:50.380
That makes it look fake to the guy changing channels.
00:35:50.539 –> 00:35:52.739
The veterans in the back get angry not because
00:35:52.739 –> 00:35:55.059
you slipped, gravity happens to everyone, but
00:35:55.059 –> 00:35:57.019
because you didn’t have the ring awareness to
00:35:57.019 –> 00:35:59.920
handle the slip professionally. That is a crucial,
00:36:00.139 –> 00:36:03.099
crucial distinction to make. It’s about maintaining
00:36:03.099 –> 00:36:06.059
professionalism. Not demanding robotic perfection.
00:36:06.420 –> 00:36:09.099
Correct. The show must go on and it must look
00:36:09.099 –> 00:36:11.639
real. All right. We are heading into the homestretch
00:36:11.639 –> 00:36:14.719
here. Segment six, listener recommendations and
00:36:14.719 –> 00:36:18.239
viewing guide. We’ve thrown a ton of inside baseball
00:36:18.239 –> 00:36:20.599
info at you today. What should the listeners
00:36:20.599 –> 00:36:22.880
actually go out and watch this coming week? I
00:36:22.880 –> 00:36:25.260
have a few specific recommendations to keep an
00:36:25.260 –> 00:36:28.400
eye on. Hit me with them. First, for pure entertainment
00:36:28.400 –> 00:36:31.619
value, go find that smartphone clip of Dominic
00:36:31.619 –> 00:36:34.340
Mysterio meeting his twin in the airport. It
00:36:34.340 –> 00:36:36.619
is circulating everywhere. It is an absolute
00:36:36.619 –> 00:36:39.480
masterclass in staying in character while completely
00:36:39.480 –> 00:36:42.099
acknowledging the sheer absurdity of the situation.
00:36:42.320 –> 00:36:44.360
It will definitely make you laugh. Oh, definitely
00:36:44.360 –> 00:36:47.559
check that out. It’s gold. Second. Keep a very
00:36:47.559 –> 00:36:50.139
close eye on Dorian Van Dux down in the developmental
00:36:50.139 –> 00:36:52.659
system. The vampire himself. The artist formerly
00:36:52.659 –> 00:36:55.519
known as Mike DiVecchio, yes. Yeah. Watch his
00:36:55.519 –> 00:36:57.900
upcoming matches. Try to ignore the silly name
00:36:57.900 –> 00:36:59.820
for a moment and just watch the physical work
00:36:59.820 –> 00:37:02.760
in the ring. See how his brawling style adapts
00:37:02.760 –> 00:37:05.559
to the WWE camera style. It’s going to be a great
00:37:05.559 –> 00:37:08.480
case study in watching a raw indie talent evolve
00:37:08.480 –> 00:37:11.500
under the massive WWE production umbrella. Okay,
00:37:11.559 –> 00:37:14.039
and what storyline should we be actively tracking
00:37:14.039 –> 00:37:17.960
this week? Two things to track. One, the Timothy
00:37:17.960 –> 00:37:21.579
Thatcher GM role over in Evolve. Is this leading
00:37:21.579 –> 00:37:25.000
to a completely new weekly episodic show format
00:37:25.000 –> 00:37:28.230
for the network? Is Evolve going to become a
00:37:28.230 –> 00:37:31.449
dedicated shoot style mat wrestling brand? Tracking
00:37:31.449 –> 00:37:33.789
how Thatcher manages that young roster will give
00:37:33.789 –> 00:37:36.869
us huge clues about the future direction of WWE’s
00:37:36.869 –> 00:37:39.510
entire developmental tier. I am glued to that
00:37:39.510 –> 00:37:42.190
one. I love the technical stuff. And two, the
00:37:42.190 –> 00:37:44.570
ongoing fallout of the swerve Strickland suspension
00:37:44.570 –> 00:37:48.440
over in AEW. Track the weeks he is gone. When
00:37:48.440 –> 00:37:50.800
does he finally return? And more importantly,
00:37:50.920 –> 00:37:53.039
when he does step back through the curtain, pay
00:37:53.039 –> 00:37:55.340
close attention to the level of violence. If
00:37:55.340 –> 00:37:58.199
he comes back noticeably more dangerous and unhinged,
00:37:58.199 –> 00:38:00.800
we know the storyline fine was the direct catalyst
00:38:00.800 –> 00:38:03.699
for a major monster main event push. I cannot
00:38:03.699 –> 00:38:05.679
wait for Swerve to come back. The pop is going
00:38:05.679 –> 00:38:07.380
to be massive. Me neither. It’s going to be great
00:38:07.380 –> 00:38:09.159
television. All right. That brings us to the
00:38:09.159 –> 00:38:10.940
end of another massive show. Let’s recap the
00:38:10.940 –> 00:38:13.039
big stuff quickly. We covered the complicated
00:38:13.039 –> 00:38:15.239
business landscape of the Elimination Chamber,
00:38:15.460 –> 00:38:18.039
why those ticket sales might be a little soft
00:38:18.039 –> 00:38:20.480
due to the Jeff Jarrett theory of market saturation.
00:38:21.360 –> 00:38:24.099
We analyzed Dominic Mysterio’s global expansion
00:38:24.099 –> 00:38:27.340
and what holding the AAA megatitle means for
00:38:27.340 –> 00:38:29.360
his character. We looked at the deep psychology
00:38:29.360 –> 00:38:32.159
of Liv Morgan’s Tears on Raw and the highly strategic
00:38:32.159 –> 00:38:36.159
pulling of the Io Sky vs. Julia match to artificially
00:38:36.159 –> 00:38:38.539
build pay -per -view anticipation. And we broke
00:38:38.539 –> 00:38:40.780
down the future of the industry with the WWE
00:38:40.780 –> 00:38:44.400
ID pipeline, the trademark rebranding of Dorian
00:38:44.400 –> 00:38:47.099
Van Dux, and the disciplinary storylines in AEW
00:38:47.099 –> 00:38:49.420
regarding Swerve and MJF. It has been a packed
00:38:49.420 –> 00:38:52.119
show, as always. Before we go, a very quick reminder
00:38:52.119 –> 00:38:54.219
to support the people who actively support us.
00:38:54.860 –> 00:38:57.159
Worldwrestlingevents .com and BetOnline. If you
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want to get in on the wrestling action this weekend,
00:38:59.099 –> 00:39:00.420
check the link right down in the description.
00:39:00.719 –> 00:39:04.039
Claim that exclusive bonus offer up to $250 in
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free bets plus 100 free spins. Do it. It is a
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great way to enhance the viewing experience.
00:39:09.289 –> 00:39:11.369
Now, my friend, send us off with a final thought,
00:39:11.510 –> 00:39:13.550
something for the fans to chew on until next
00:39:13.550 –> 00:39:15.909
week. Well, we talked a lot today about the Io
00:39:15.909 –> 00:39:18.650
Sky versus Julia match being pulled from TV,
00:39:18.769 –> 00:39:21.150
and it really made me think about the philosophical
00:39:21.150 –> 00:39:24.670
concept of the unseen match. In wrestling history,
00:39:24.789 –> 00:39:27.869
some of the absolute most legendary mythic matches
00:39:27.869 –> 00:39:30.690
are the ones that happened in empty arenas or
00:39:30.690 –> 00:39:32.989
on un -televised house shows with no cameras
00:39:32.989 –> 00:39:35.650
rolling or the ones that were promised on a marquee
00:39:35.650 –> 00:39:38.030
and never actually delivered due to injury or
00:39:38.030 –> 00:39:40.090
politics. Like the ultimate forbidden fruit.
00:39:40.230 –> 00:39:43.260
Exactly. Sometimes the matches we explicitly
00:39:43.260 –> 00:39:45.860
don’t get to see end up driving the business
00:39:45.860 –> 00:39:48.760
lore more than the ones we do see. The imagination
00:39:48.760 –> 00:39:51.480
of the fan is arguably the most powerful booking
00:39:51.480 –> 00:39:54.380
tool in the entire world. WWE management knows
00:39:54.380 –> 00:39:56.960
that. By withholding that dream match, they are
00:39:56.960 –> 00:39:58.780
essentially letting your imagination book the
00:39:58.780 –> 00:40:01.780
spots. And your imagination always books a five
00:40:01.780 –> 00:40:05.750
-star classic. Whoa. That is deep. And entirely
00:40:05.750 –> 00:40:08.710
true, honestly. I’ve booked some absolutely incredible
00:40:08.710 –> 00:40:10.769
WrestleMania main events in my head over the
00:40:10.769 –> 00:40:13.030
years. Haven’t we all? The perfect match only
00:40:13.030 –> 00:40:15.690
exists in the mind. Well, on that profound note,
00:40:15.809 –> 00:40:17.849
thank you for listening to World Wrestling Events.
00:40:18.369 –> 00:40:20.829
We will be back next week with more news, more
00:40:20.829 –> 00:40:23.289
rumors, and more wrestling. See you at the bell.
00:40:23.429 –> 00:40:24.130
See you at the bell.
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